“‘All right!’ he said, ‘Say no more! You have taken no harm, There is no lie in your eyes, as I had feared. But he did not speak long with you. A fool, but an honest fool, you remain, Peregrin Took. Wiser ones might have done worse in such a pass. But mark this! You have been saved, and all your friends too, mainly by good fortune, as it is called. You cannot count on it a second time. If he had questioned you, then and there, almost certainly you would have told all that you know, to the ruin of us all. But he was too eager. But come! I forgive you. Be comforted! Things have not turned out as evilly as they might.'”
Welcome back to another Blind Read! This week we’re back with a bit of a lie, this isn’t quite a Blind Read, but it’s been so long since I’ve read these books it might as well have been!
Before we discuss the books, I want to start by saying how amazed I am at how close the Movies were to the books. After reading them more critically, it is obvious how much the producers revered the core material. The ability to create a new medium that was inclusive of all who did not read the books but to be honest enough to the core material that hardcore fans love is a masterstroke in adaptation.
The only significant difference the movies had was in Fellowship because they took out the entire Tom Bombadil sequence (rightly so). Still, even then, I’ve seen deleted scenes where the hobbits get swallowed up by Old Willow. We’ll cover the differences in The Two Towers below, but we also dive more into the world’s lore.
The first thing I’d like to mention is Treebeard and the Ents. The movie played up his slowness and mistrust, and where many lines are taken directly from the text, Treebeard was not very slow to action speaking of page count. Yes, he does suspect Merry and Pippin of being Orcs at first, but he quickly decides they aren’t. He then calls the council of Ents, and within a few pages, they choose to mount an attack on Orthanc. Again, the movie drew it out for drama, but the book had these events happening quickly.
However, the biggest oddity I noticed in the book was a seeming discrepancy between The Silmarillion and The Two Towers. When speaking of his race, Treebeard (also known as Fangorn) says the Elves created Ents. However, later in the book Gandalf (also known as Mithrandir, but more on that later) tells the remaining Fellowship that Fangorn is the oldest living creature on Middle-earth (remember that Elves, Vala, Maiar, and even Dwarves were created on Valinor). Tom Bombadil verifies this statement in The Fellowship of the Ring. I stopped and thought about this before I could move on because I know that Tolkien re-wrote much of the history and was still in his re-writes while writing The Lord of the Rings, but was there a discrepancy this bold?
I decided to go back and do some digging to figure it out.
Returning to The Silmarillion, I verified that Yavanna (the Vala who was the “lover of all things that grew in the earth”) created Ents as part of her music theme. Part of her reason for doing so was because of other creations, such as the Dwarves (who were created but kept at rest for many years). Yavanna feared the trees themselves would not have a means of protecting themselves against the push of other creatures’ industrial nature (something that echoes Tolkien himself), so she made the Ents to be shepherds and protectors of the trees and forests. Tolkien even had an early iteration where he called them Tree Ents because the word Ent was derived from the Old English word Eoten, meaning Giant, so they were Tree Giants meant to protect. Tolkien seeds this in The Fellowship of the Ring when Samwise relays a story from his cousin Hal, who saw a “treelike giant” north of the shire. This anecdote was Tolkien’s way of seeding their entrance into the books.
So we know that Yavanna created the Ents – why then does Treebeard say that they were a creation of the Elves? Looking back at the text, one can see where I went wrong. The Ents and Entwives were creatures of the earth, and where they were sentient, they couldn’t communicate with other animals. They were meant solely to be of and for nature, so Treebeard says that the Elves taught them to speak Elvish and opened their minds to interact with other sentient creatures. The Elves brought the Ents to life; they didn’t create them.
I could go on and on about Ents and make it their own essay, but since this is about a re-read of The Two Towers, I want to dig into a few other short items.
Gandalf by Matthew Stewart
The first is Gandalf. In The Fellowship of the Ring, he is of the gray order of the Istari (Maiar wizards), but because of his fall against the Balrog in that first book, he came back as an Istari of the White order, which is one of the most powerful, second only to the Black Order. This book teaches that the Istari are immortal like their masters, the Valar. Gandalf returned as a white-order Istari because of the power vacuum of Saruman, who abandoned his order for power. Saurman did not specifically side with Sauron (which we learn in The Silmarillion). Still, the Palantir corrupted him enough that he thought he could become the most powerful being in Middle-earth.
It isn’t until Gandalf returns that the party nearly ceases calling him by his common “gray” name, Gandalf. Instead, once he takes up the white mantle, most characters call him Mithrandir for the remainder of the series.
Lastly, I would be remiss if I didn’t bring up what confused me the most when I read through the books before reading The Silmarillion—the Dúnedain and Aragorn’s lineage.
Throughout this book, there are constant references to Elendil and Eärendil, but I didn’t know who those people were other than they were Aragorn’s ancestors. Having that foreknowledge made the events and exposition of the story that much more lush and meaningful. It adds weight to Aragorn’s decisions and makes him a more dynamic character. Upon the first read, much of his character felt very one note and much more severe than was necessary. Still, after getting the history behind his lineage, one can genuinely feel the dynamics at play and the choices he must make as he forges his way to coming back to be King of the world of Men.
Come back next week as we continue “The Music of the Ainur” in the Book of Lost Tales!
“Through him has pain and misery been made in the clash of overwhelming musics; and with confusion of sound and have cruelty, and ravening, and darkness, loathly mire and all putrescence of thought or thing, foul mists and violent flame, cold without mercy, been born, and death without hope. Yet is this through him and not by him; and he shall see, and ye all likewise, and even shall those beings, who must now dwell among his evil and endure through Melko misery and sorry, terror and wickedness, declare in the end that it redoundeth only to my great glory, and doth but make the theme more worth the hearing, Life more worth the living, and the World so much the more wonderful and marvellous, that of all the deeds of Ilùvatar it shall be called his mightiest and his loveliest (pg 55).”
Welcome back to another Blind Read! This week we delve into the philosophy of Tolkien as we review “The Music of the Ainur,” the second chapter of The Book of Lost Tales.
Tolkien himself was a deeply religious and highly intellectual man. He surrounded himself with others of all opinions (see his writing group The Inklings, which included C.S. Lewis), and at the forefront of his mind was an anthropologic focus on the world. This curiosity of how the world works is what created the fantasy world we all respect so much.
This chapter, in particular, is about how Ilùvatar (God in this iteration) created the world through his Angels, which he named Valar.
Rúmil tells the story to Eriol and begins his tale by saying, “Before all things he sang into being the Ainur first, the greatest is thier power and glory of all his creatures within the world and without (pg 52).”
This passage marks Ilúvatar as a great creator. There is nothing closer to authentic Christianity than this first chapter, as it shows Ilúvatar’s great power and ability of forethought and humility.
Iluvatar
Rúmil goes on, “Upon a time Ilúvatar propounded a mighty design of his heart to the Ainur, unfolding a history whose vastness and majesty had never been equalled by aught that he had related before, and the glory of it’s beginning and the splendour of its end amazed the Ainur, so that they bowed before Ilúvatar and were speechless (pg 53).”
Thus enters the theme of Predestination. Ilúvatar creates a concept that has a beginning and an end. But for such a grand creator, that is not satisfactory because there is no surprise in the world, no joy in watching the events of his grand scheme unfold. To counter this problem, Ilúvatar tells his Angels (they are interchangeably called Ainur and Valar), “It is my desire now that ye make a great and glorious music and a signing of this theme; and (seeing that I have taught you much and set brightly the Secret Fire within you) that ye exercise your minds and powers in adorning the theme to your own thoughts and devising (pg 53).”
Ilúvatar allows the Vala to create the middle of his great tale with their own “secret fire.” We learned in The Silmarillion (and to a lesser extent here) that the Vala all have their own minds, and they all have their passions. This is what the secret fire is, a passion for seeing something created, which is mirrored in Tolkien himself as he created the world of Middle-earth. That is not to say that Tolkien thought himself a god, or even to the level of the Valar, but he saw it as his duty to show that there was great beauty in the world. He wanted to elicit this emotion from people because of his experiences in the Great War. Let me explain:
“Yet sat Ilúvatar and hearkened till the music reached a depth of gloom and ugliness unimaginable; then did he smile sadly and raised his left hand, and immediatly, thoguh none clearly knew how, a new theme began among the clash, like and yet unlike the first, and it gathered power and sweetness (pg 54).”
This passage shows both the power and the weakness of the Valar, which in turn displays just how human they were. Which makes sense because we, as people, are the antecedents of the Angels. Humans are called Ilúvatar’s second children (after the Elves). The Valar wanted to create something with the same power as Ilúvatar, but they became despondent when things turned dark, and their grand theme became black with peril.
Indeed it was Melkor, later called the Dark Lord and master of Sauron, who saw this darkness and believed it was the only way to the end of the story.
Melkor the corruptor (Source unknown)
“Mighty are the Ainur, and glorious, and among them is Melko the most powerful in knowledge (pg 54).”
Tolkien believed there was a balance to the world, making Predestination possible. Each Valar had their power or strength; Ulmo had control over water, Manwë had power over the air (The great eagles which bore Gandalf away from Orthanc and Frodo and Sam away from Mount Doom were agents of Manwë), and Aulë had control of the earth. But it was Melkor who had the greatest knowledge, and what Tolkien learned in World War I was that one could have a perception of darkness or a general concept of pain, but until you have the experience, you never really have knowledge of it.
Knowledge equals pain, which is a prime theme in Tolkien’s work. That may seem particularly depressing, but you cannot appreciate the most glorious mornings until you see the darkest of nights (this echoes in Sam’s speech at the end of The Two Towers. “They were holding on to something…”). Ilúvatar created Melkor to have the knowledge and sing about that knowledge which fostered despair in the world, but he could do nothing to change it. He became the Dark Lord because once the Children of Ilúvatar were created, they received gifts to experience the world’s joys and perils, whereas Melkor could only see troubles and darkness.
The Eldar were given long life and foresight that they would live to see the end of all time, which made them happier than humans. But to humans, Ilúvatar gave the gift of death.
Doesn’t it seem like much of a gift? Well, it harkens back to the question of knowledge. If you knew your time was short, you would live a more extraordinary life, a life filled with great pain and great joy, rather than being stuck in the middle and being “emotionless” as the Elves were.
This ability to have great highs and lows was specifically why Ilúvatar sang Melkor (also known as Morgoth) into existence. He knew what the Valar would do, but also knew it was necessary for a full experience of the world.
Come back next week for a recap and reread of “The Two Towers!”
“Then slept Eriol, and through his dreams there came a music thinner and more pure than any he heard before, and it was full of longing. Indeed it was as if pipes of silver or flutes of shape most slender-delicate uttered crystal notes and threadlike harmonies beneath the upon upon the lawns; and Eriol longed in his sleep for he knew not what (pg 46).”
Welcome back to another Blind Read! This week we head back to The Book of Lost Tales and tackle Chapter Two’s opening, “The Music of the Ainur.” Christopher added something new to this chapter from the notes of this father and the result sheds light on the meaning of the chapter. When he began writing Eriol’s story, Tolkien created a transitional piece between the beginning of the story of the Ainur and The Cottage of Lost Play. We’ll be covering that transitional piece this week because there is so much in it that warrants discussion before we move on!
Before we get too far into it, I want to delve a little deeper into the difference between Gnomes and Elves, which has been a strange adjustment because I wasn’t sure if Tolkien was calling all Elves (otherwise known as Eldar) Gnomes or if it was only Noldor (also known as Noldori) Elves. Part of the confusion comes in because of all the different names involved.
Tolkien wanted the world to be lush and complete, but because of who he was and his background, Worldbuilding to Tolkien didn’t mean delving into culture, landscape, or image. Instead, to Tolkien, what made people unique was how they communicated, meaning language. Thus, the language and the beings who utilized this language changed through his world’s creation.
For example, the Teleri later become the Vanyar, The Noldoli (Gnomes) later become the Noldor, and the Solosimpi later become the Teleri. Why did he make all of these changes? Because of language.
The perfect example of this is what we began with: Gnomes. The word Gnomes brings to mind that small bearded garden variety with red pointy hats. I’m sure at some point in the writing of this epic; an editor approached Tolkien who mentioned that that word did not elicit that “They were a race high and beautiful… They were tall, fair of skin and grey-eyed, though their locks were dark, save in the golden house of Finrod (pg 44).” (just to be clear we are explicitly talking about the Gnomes or Noldor Elves. Christopher goes out of his way to make sure that is clear: “Thus these words describing characters of face and hair were written of the Noldor only, and not of all the Eldar… (Pg 44)“
So why did Tolkien call them Gnomes? Yep, you guessed it. Language! “I have sometimes used ‘Gnomes’ for Noldor and ‘Gnomish’ for Noldorin. This I did, for whatever Paracelsus may have thought (if indeed he invented the name) to some ‘Gnome’ will still suggest knowledge.”
In Greek, gnome meant thought or intelligence. Which then translated into words such as gnomic or gnostic. When Tolkien mentions Paracelsus, he refers to the 16th-century writer who used gnome as a synonym for pygmaeus, which means “earth-dweller.”
Tolkien was trying to establish that the Noldor were intelligent creatures who understood how the world worked. But he was also trying to create a distinction between the Noldor and the Valar. The two types of beings were almost interchangeable because they were both created by Ilúvatar.
At the beginning of this interlude, Eriol asks for clarification (Tolkien’s way of trying to clarify it himself): “Still there are many things that remain dark to me. Indeed I would fain to know who be these Valar; are they the Gods?” to which Lindo responds “So they be (pg 45).” And yet later, when describing gnomes, “nor might one say if he were fifty of ten thousand (pg 46).”
So he creates differences through the use of language. Both from the meaning of their names and the languages they speak. These themes also carry over into The Lord of the Rings because everyone has their distinct dialect, from Rohan to Gondor, from The High Elves of Rivendell to the woodland elves in Lothlórien. Here on Tol Eressëa, “there is that tongue to which the Noldoli cling yet – and aforetime the Teleri, the Solosimpi, and the Inwir had all their differences (pg 48).”
Language was a big theme in this introduction to make sure the reader understands what they are getting themselves into, but there are two other themes Tolkien stamps down, which carry over into all of his other writing; dreams and music.
All of these things are interconnected, and I chose the quote to open up this essay because it holds the essential themes Tolkien has brought into this tale.
If we remember from the first chapter (or go back and read it here), Eriol is a human of modern times. He travels and finds his way to Tol Eressëa, and he is a means to an end to tell the story of the beginning of time and the first age. What I find particularly interesting is that Tolkien intended there to be a “dream bridge” between Tol Eressëa and the rest of the world. So that outsiders could not find it while awake, and their knowledge of the isle would fade upon waking as dreams do; but dreams also leave us with subconscious memory, and feeling that stick with us, though we don’t remember details.
This intermittent chapter begins with Eriol heading to a room and falling asleep, and in that sleep, “came a music thinner and more pure than any he had heard before (pg 46).”
The Music of the Ainur, which we will get more into next week, is how the Valar (also known as Ainur) created the world. Their music brought into being plants, animals, and earth, as well as emotion and consciousness. This “pure music” is what Eriol hears in his mind as he sleeps. It is not the sound as it was when it created the world, but Tol Eressëa is so close to the center of everything that it echoes what came before. He hears the music of creation, and he doesn’t consciously recognize it, but he subconsciously melds into it.
I also find it interesting that he falls asleep and delves into dreams directly before being told the tale. Could it be that the entirety of The Book of Lost Tales is told through the Music of the Ainur while Eriol is sleeping?
Let’s see if we find out next week as we begin the Music of the Ainur!
“Then said Lindo: ‘Of what shall the tales be tonight? Shall they be of the Great Lands, and of the dwellings of Men; of the Valar and Valinor; of the West and its mysteries, of the East and its glory, of the South and its untrodden wilds, of the North and its power and strength; or of this island and its folk; or of the old days of Kôr where our folk once dwelt? For that this night we entertain a guest, a man of great and excellent travel, a son meseems of Eärendel, shall it be of voyaging, of beating about in a boat, of winds and the sea (pg 18).”
Welcome back to another Blind Read! This week we begin The Book of Lost Tales, Part 1, with the first chapter, “The Cottage of Lost Play.”
This week we begin to see the history of Middle-earth through a story-telling lens. The book begins with a traveler, “a man of great curiosity, was by desire of strange lands and the ways and dwellings of unaccustomed folk brought in a ship as far west even as the Lonely Island, Tol Eressëa in the fairy speech, but in which the Gnomes call Dor Faidwen, the Land of Release, and a great tale hangs thereto (pg 13).“
This “man of great curiosity” is a man from England named Eriol, and he is the basis for all that comes after in this precursor to The Silmarillion.
Tolkien intended for the history of Middle-earth to intersect with our age, and this first section seems to be proof of that. Beyond the fact that the way Tolkien describes Eriol, it does seem as though he is representing himself. After all, Eriol learns the history of Middle-earth, and it would stand to reason that if Middle-earth was our world, Tolkien was only passing on the oral history of what he had “learned.”
That may not make sense right off the bat, so let’s break things down a little.
This chapter is about Eriol traveling from England to Tol Eressëa, an island off the coast of Valinor where the Teleri Elves lived. When Eriol gets to the island, he finds a small cottage in a field owned by a couple named Lindo and Vairë.
“Small is the dwelling, but smaller still are they that dwell here – for all who enter must be very small indeed, or of their own good wish to become as very little folk even as they stand upon the threshold (pg 14).“
Knowing that Eriol is an Englishman (despite that he seems to be from the Middle Ages), we see that Middle-earth is connected with our world, and the histories held within are our histories.
Indeed Tolkien even calls Eriol “a son of Eärendel (pg 13).” If you remember your Silmarillion history, Eärendil was the son of Tuor, a man and cousin of Turin Turambar and Idril of the Noldor of Gondolin. He eventually wed Elwing, who gave birth to Elros, who chose to be a man and became the ancestor of the Númenoreans. She also gave birth to Elrond, who we all know.
Tolkien isn’t calling Eriol Eärendel’s direct son but a descendant of him, proving that both our world and the world of Middle-earth are the same.
Lindo and Vairë, however, seem to be descendants of the shire folk, with their kindness and manners. They also are descendants of the Valar, as “He was of Aulë’s kindred (pg 16).“
They invite Eriol into their house, and soon there is a sound of a gong; “That is the voice of Tombo, the Gong of the Children (pg 15.).” The Gong calls the Children in from playing to come and listen to “the telling of tales (pg 15).”
Soon the tiny Cottage was regaled with the tales, and this is how we learn the history of Middle-earth – as it’s portrayed to Eriol.
But why did Eriol happen upon this Cottage? It was not a mistake:
“It had long, said he, been a tradition in our kindred that one of our father’s fathers would speak of a fair house and magic gardens, of a wonderous town, and of a music full of all beauty and longing (pg 20).“
The children who sat around at night would listen to these tales and eventually leave the island and the Cottage. These were the children of the Noldori and the Teleri (at this point, Tolkien was calling Gnomes. I’m not sure when he switched to Elves.), but they were descendants of Eärendel, which is who spawned the human race as we know it now.
Tolkien was a historian and linguist who was fascinated with how different cultures had similar roots. The origin of this Book of lost Tales was to explore these roots. The Lord of the Rings hadn’t blossomed in his mind (made apparent by his usage of Gnomes in this early iteration), and he wrote this chapter to explain this origin.
The Children who gathered around to hear these tales at Tol Eressëa became the people who started the different cultures which would eventually become our world. Tolkien even stamps that theory in the second to last paragraph, spoken by Eriol:
“Now these are tidings sad and yet good to hear, and I remember me or certain words that my father spake in my early boyhood. It had long, said he, been a tradition in our kindred that one of our father’s fathers would speak of a fair house and magic gardens, or a wonderous town, and of a music full of all beauty and longing – and these things he said he had seen and heard as a child, though how and where was not told (pg 20).“
Eriol’s father had left the island of Tol Eressëa. He remembered the stories, customs, and language, but he could remember nothing of the island itself. The Valar had hidden the island, and all that left it were doomed to forget about it.
They created an oral tradition formed into the Germanic languages and tales of North Western Europe. This also explains how the majority of the Hobbit and the beginning of The Lord of the Rings had so many songs and poems. Tolkien was trying to show how real the world was by including an oral tradition in story.
Tolkien’s purpose for telling these tales, even The Hobbit and The Lord of the Rings, was to explain why these traditions existed. Not only the language, which everyone assumes is why he created the history, but of the practices and mythologies of the region.
Join me next week as we delve deeper into “The Cottage of Lost Play” with Christopher’s Commentary!
Wow, what a year that was! I did not get anywhere near where I wanted to go in a writing sense, as work and life stuff enveloped much of my time, but it’s time for a new year, and it’s time for new resolutions. I received a typewriter and a new notebook for Christmas, which has invigorated my creative juices, so it’s time to get to work and get to some of these books I’ve been sitting on!
Elsie Jones Adventures:
The first three of these were already published traditionally, but the contract is up, and the rights have reverted back to me. So I’m going to self-publish and finally get this series out. So expect the first two in the series this year.
If you didn’t know, The Elsie Jones Adventures is a Chapter Book series suitable for kids 5-12. They follow Elsie Jones as she discovers a mysterious library and each book in the secret library pulls her into the plotline of that book, and she goes on the adventure with the characters! The series is filled with action and humor, but it also has lessons to learn along the way.
In this first book, Elsie finds a mysterious library and enters “Treasure Island” by Robert Louis Stevenson. She meets some new friends and goes on a Pirating adventure, but also discovers there is a strange group trying to destroy the special books in the library. Follow along with her on an adventure to stop them!
In Elsie’s second adventure, she finds an old book named “Common Sense” by Thomas Paine, which transports her to Revolutionary Boston. She meets Ben Franklin and goes on a famous horse ride with Paul Revere, leading to a showdown at the house of a literary giant.
In Elsie’s Third adventure, she comes across “The Three Musketeers” by Alexandre Dumas and goes on an adventure with The famous French Musketeers. This book is filled with mystery, adventure, and swashbuckling fun, but it is on this adventure that Elsie realizes more is going on in these adventurous worlds.
You can find and purchase all three of these stories here or wherever books are sold. What will be released this year are “Author Editions” of these first three books. I wasn’t very happy with the end result when the publisher edited these books, so what you’ll get this coming year will be more extended and much more cohesive. The published books are still outstanding, don’t get me wrong, but since the rights have reverted back to me, I wanted to get the whole series out and make them as good as I possibly could. The originals still hold a place near and dear to my heart and will still be available.
Now onto other projects! As always, my first book of short stories is also available on this website or wherever books are sold. It is a group of short stories heavily influenced by the original “Twilight Zone” television show with Rod Serling. The title is “A View of the Edge of the World.”
The Legacy:
I read an article back in 2001 in Rolling Stone magazine about an island off the coast of Nova Scotia. I started writing an adventure novel back then but never got around to finishing it; then a History Channel show called “The Curse of Oak Island” came out, and it reinvigorated my love for this strange, mysterious island. I finished writing the novel in 2021 and meant to edit it in 2022 and get it out, but other things got in the way. I hope to finish editing it this year, get an agent and a publisher, and get it out early next year.
This book is based on Oak Island, but it is very much an “Indiana Jones” type story with heavy historical references which push the story forward as the characters look to uncover the mystery. It reads as half Dan Brown and half-pulp adventure novel. I absolutely love this book and can’t wait for people to read this one (and probably it’s sequels, wink, wink)!
The Revolution Cycle:
This is an expansive Fantasy/Adventure story. It follows a revolution from start to finish and will do so over a proposed 10 books. I’ve written the outline for the first novel and will be diving into it this year. I don t think it will be finished, but I hope to get enough done this year so it can be released by the end of next year.
Book 1. The Monster in the Woods
This first book of the cycle will focus on a group of young protagonists in a school in a secluded Duchy. They question the propaganda fed to them, and they drift apart until one of them finds a mysterious clue left by their strange uncle after he goes off to fight a monster roaming the woods outside the Duchy walls.
This book will have heavy Goonies vibes framed as a fantasy novel Joe Abercrombie would be proud to write. Each successive novel will expand the world and bring the characters further into the fight until they are inextricably involved with the revolution.
Future Works:
Elsie Jones and The Westward Adventurers: The fourth book in the Elsie Jones series. Elsie enters the world of James Fenimore Cooper’s “The Pathfinder.”
Elsie Jones and the Transylvania Twist: The fifth book in the Elsie Jones series. Elsie enters the world of Bram Stoker’s “Dracula”
Elsie Jones and the London Fog: The sixth book in the Elsie Jones series. Elsie enters the world of Sir Arthur Conan Doyle’s “The Casebook of Sherlock Holmes.”
Elsie Jones and the Dark Samurai: The seventh book in the Elsie Jones series. Elsie enters the world of Basho’s Haiku.
Elsie Jones and The Last Knight: The eighth book in the Elsie Jones series. Elsie enters the world of Cervantes “Don Quixote.”
Elsie Jones and the Treasure of Tut: The ninth book in the Elsie Jones series. Elsie enters the world of Virgil’s “The Aeneid”
I have written through the twelfth book in the series, but I’m keeping the remaining books under wraps!
I will continue publishing my weekly blog, which currently covers the histories of J.R.R. Tolkien. Each Thursday, I break down the verbiage and story to make the difficult language more accessible for the everyday reader. Check out my previous Blogs on The Silmarillion and all of H.P. Lovecraft’s work here!
You can also find other essays, short stories, and poetry here on my website for free, so I encourage you to read them! There is a good chance I will compile much of them for a future book of short stories, so get them while they are free!
The too far in the future projects:
The remaining books in the Revolution Cycle
A Sequel to The Legacy
Elsinore: A Graphic Novel about a town on the border of Hell
A future Elsie Jones spin-off
Thank you to everyone who follows and for your support for all who have purchased my books! Please continue to do so, and I hope the content I put out brings you joy, wonder, and happiness! Here is to a wonderful and prosperous New Year (with quite a bit of content coming your way)!
Hey everyone! I needed to take a week off from the blog because my work obligations were too heavy this week, so I figured I’d give an update on everything coming in the next six months! I’ve been working hard on other projects besides the Blind Read Blog, and the spoils of that work will soon pay off! Let’s get to it then.
Blind Read Series:
There are probably about five more weeks left in The Silmarillion, but I also plan on doing an episode by episode “Blind Watch” analysis with Amazon Prime “The Rings of Power” as well as analyzing the original movies and contrasting them with the information from the earlier ages of Middle-earth. Once The SIlmarillion is completed, I’ll move onto “The Book of Lost Tales, Part 1.” The formatting for these Blogs will be slightly different however, because this books seems to be more of a early/poetic version of The Simlarillion.
Short Stories:
I’m bringing back the Universal Monster horror shorts, which will be published every Saturday, from Ocotber 1st through the end of the year. I’ll have some surprise new stories (there are only 7 published shorts previously) mixed in there as well for the next 14 weeks! These stories are all pretty short (between 1k and 3k words) so they’re a quick and fun introduction to Autumn!
Elsie Jones Adventures:
This is my children’s chapter book series which features Elsie, a head strong young girl who finds a mysterious room in her local library that has some interesting books hidden within. Books that pull her into them and make her go on the adventures of their stories! The only catch is that there is a nefarious man with an army of agents who have found their way into the books as well. Featuring classics such as Treasure Island, Dracula, The Casebook of Sherlock Holmes, and the Three Musketeers (maybe even some Tolkien inspired tales), Elsie must find a way to protect literature from the nefarious Dark Hats.
The first three books are available on this website and wherever books are sold, but the Author editions will be coming out starting next spring followed by the remaining 12 books every few months!
The Legacy:
I grew up in the era of Indiana Jones and The Goonies. These action packed adventures have always fueled my imagination, then in college I read a Rolling Stone article about a mysterious Island off the coast of Nova Scotia called Oak Island. They have since made a History Channel show about the treasure hunt on the island, but I wanted to make my very own Indiana Jones type story which could follow around a group of adventurers through multiple books. The Legacy is their attempt to solve the mystery of Oak Island. I’m now in the third draft and getting very close to submissions. Expect this book early 2024.
The Revolution Cycle:
This is my Magnum Opus. This will be a fantasy adventure told over ten books. It will cover a Revolution from it’s start to finish, beginning with the first book “A Monster in the Woods.” The first book will be a heist/fantasy plot line surrounding a group of teenagers who find some information that will change the world, all while trying to stay safe and away from a creature whom seems to be stalking them, and a despotic Duke trying to catch them. Featuring court dances, politics, and romance, but relying heavily on adventure and a smattering of horror, anyone who loved the nostalgia of the 80’s adventures as much as I do will love it.
The outline is complete and once Elsie Jones is in a rythym of publishing, this will get more attention.
As always thank you for coming here and reading my blog! If there is any kind of short story you’d like to see over the next fourteen weeks, I have 3 slots available and I’d love to write one surrounding your favorite horror/mystery!
“In many parts of the land the Noldor and the Sindar became welded into one people, and spoke the same tongue; though this difference remained between them, that the Noldor had the greater power of mind and body, and were mightier warriors and sages, and they built with stone, and loved the hill-slopes and open lands.”
Welcome back to another Blind Read! This week we conclude “Of the Return of the Noldor.” and have a deeper discussion about how the world progresses.
We completed the last chapter with Fëanor dying, Maedhros (Fëanor’s son) kidnapped by Morgoth, and Fingon, son of the rival clan of Fingolfin, saving him.
This second portion of the chapter is about the Eldar taking a stake in the land. In contrast, the first half of the chapter was about the fury of Fëanor and the repercussions of that drive to destroy Morgoth (which ultimately failed. Morgoth is still in power at Angband in the north, and he still has the Silmarils). Finally, after “twenty years of the Sun had passed,” this chapter takes place when Fingolfin held a great feast known as the “Feast of Reuniting.”
This gathering brought together Eldar of all kinds together in the woods of Beleriand. They began to learn each other’s languages and healing began to happen, but still, Morgoth brooded in the north.
Tolkien then takes us another thirty years further into the future, past the time of ease and Elves coming together. During this time, Finrod took precedence ahead of all other Elves. Ulmo, the Valar of the Seas, gives both Finrod and Fingolfin a vision that shows trouble caused by Morgoth streaming out from Angband. Both relatives internalize this message and design not to address it with each other, thus preparing for the coming war separately instead of on a conjoined front.
Menegroth
Finrod then brings his sister Galadriel to Doriath, the region which houses Menegroth, the underground mansion of Thingol. “Then Finrod was filled with wonder at the strength and majesty of Menegroth, its treasures and armouries and its many-pillared halls of stone; and it came into his heart that he would build wide halls behind ever-guarded gates in some deep and secret place in the hills.” This “secret place in the hills” soon became known as Nargothrond, which was based on Menegroth and aided in construction by the Dwarves of the Blue Mountains. This secret mansion was the beginning of Finrod’s plans to protect his people against the might of Morgoth when he decided to attack.
Nargothrand
But what of Galadriel? She “went with him not to Nargothrand, for in Doriath dwelt Celeborn, kinsman of Thingol, and there was great love between them. Therefore she remained in the Hidden Kingdom, and abode with Melian, and of her learned great lore and wisdom concerning Middle-earth.“
Celeborn is still with her in the Third Age when the Fellowship goes to greet them. He is King to her Queen and stands beside her when they meet the nine wanderers. Here, she came to great power because she learned from Melian, a Maiar, second in power only to the Valar themselves (Gandalf himself is Maiar), which is why I believe she knows so much is so powerful by the time the Third Age comes around.
Concurrently, while Finrod is building his home, while Thingol is hiding in his girdle, while Fingolfin is making his lands in Mithrim, Morgoth stirred. “Believing the report of his spies that the lords of the Noldor were wandering abroad with little thought of war,” he decided to make his move. So his army of Orcs poured south through the fields of Ard-galen, “But Fingolfin and Maedhros were not sleeping,” and they led a host of warriors and utterly wiped out Morgoth’s brood.
Dagor Aglareb
“That was the third great battle of the Wars of Beleriand, and it was named Dagor Aglareb, the Glorious Battle.”
The Noldor pushed Morgoth back to Angband and laid siege to the fortress, “Yet the Noldor could not capture Angband, nor could they regain the Silmarils; and war never wholly ceased in all that time of the Siege, for Morgoth devised new evils, and ever and anon he would make trial of his enemies.”
Through hundreds of years following this, there were many skirmishes where Orcs would make their way out of Angband but got consistently pushed back. Even Morgoth’s “new evils” such as “Glaurung, the first of the Urulóki, the Fire Drakes,” could not forge a wedge into the foothold the Noldor had in Beleriand. In fact, after Glaurung’s defeat and retreat to Angband, “…there was the Long Peace of well-nigh two hundred years” where the Noldor and the Sindar built lives and homes in Beleriand.
We are beginning to see how its residents separate Beleriand. The Dwarves are in the Mountains of the East, concerned only with mining and producing their minerals. Many mention their isolationist stance. They don’t care what’s going on above ground in Beleriand and only work with the Noldor and Sindar because they trade.
The Sindar take up residence right smack dab in the middle of the land. Still, the Noldor take the western coast and the northwest with Mithrim (which I also find interesting because of the notorious mineral the Dwarves make into some of the most fantastic armor in the world – Mithril is very close in name to this Noldor held land).
Then there is Morgoth, who is held in his citadel in Angband in the north, too far north, in fact, for any map I’ve seen to show where Angband is.
So what happens next? Do we get any more information about the land and its peoples? Next week, let us find out in “Of Beleriand and it’s Realms.”
What up man? How are things out there in Cleveland? They been rough for me man, I don’t mind tellin y’all. I’m so damn grateful that I have someone to talk to. My girl up and left me last week. You believe that shit? I mean damn what a year. My momma dies, my bro in a coma because of some middle-eastern crazy and then up outta the blue, she just ghosts me. I wake up one day and she just gone. Somehow she packed all her crap up and got out the door before I even noticed. How could someone be so cold like that? I give the best years of my life and she just up and disappears! Anyway. How are you and Charnelle? Haven’t seen you talk about her in a while on Facebook. You still into all that fantasy shit? I member back in high school, you hung out with them dweeby kids. Always thought you were cool, man, don’t know why you killed your reputation by hanging with those kids. Anyway. I guess the reason I asked was I’ve been into something a little weird and I figger you’d probably be the best person to ask because of all the nerdy D&D stuff you used to do. Anyway. Hit me back man. Peace.
03/13/19
4:00 PM
Dear Travis,
I have to say, I’m a little surprised to hear from you. I was shocked to see you send me a friend request on Instagram, but then seeing your DM asking for my email? I thought you hated me in high school. I mean, I wasn’t super thrilled about you either, but you really went out of your way to torment some of my really close friends. Was that email supposed to be an apology? I would really hope so.
Yes. I still play D&D. Although it goes far beyond that game. We have all kinds of games we play now. Yes, I still play with those “dweebs”, Mark, Winston, Steve, and Clinton. And yes, if you continue to make fun of them I will block your email and everything you have on social media. Your girl won’t be the only one to ghost you. Please ask what you want and don’t play act like we’re friends.
03/13/19
4:09 PM
Travis,
Sorry if that was harsh. How’s Cincinnati?
03/14/19
2:13 AM
Yo Chad,
Pretty harsh man. I mean that was high school; what like three years ago? People change. Damn. I won’t make fun of any of your stupid dweeby things anymore. Anyway. Cincy’s pretty strange. It’s not much different from High School in Columbus. I liked working at the mechanic’s shop. The owner was dope. Dude never really cared what I did. Then his damn son in law took over. Dude’s blacker than night, and just has that fake smile ya know? Swear he only fired me because he wanted to bring his damn rap friends around. Anyway. I know. I kinda popped up outta nowhere, huh? I was just thinking back on old times, ya know? Thinking ‘bout how I never really reached out to you when I probably should’ve. You’re a really smart dude. Which is a damn stupid thing to be, by the way. Anyway. You’re smart, and you read a lot, and you play those games. I’m pretty sure I’ve heard you talk about fighting things like ghosts and vampires and stuff. And Zombies. You guys fought zombies. Anyway. You know about that stuff?
03/15/19
12:43 PM
Travis,
Gee, I wonder why your girl left you. Not like you spout out that hate stuff. Yes, we‘ve had campaigns against undead. I’m surprised you know about “dweeby” stuff like that. And I have to say, the fact that you think being smart is not good, is frankly…well I guess it makes sense. So what brought this on? Why are you reaching out? What do you want?
03/15/19
11:36 PM
Chad
Dude. That was harsh. I’m just talkin’ here. Why you so aggro? Anyway. I wanted to run something by you. I was thinking about how when we were freshman, you let me copy off your test in math class. We was a damn good team dude. We crushed that year bro, we worked so good as a team! I got something to make us a team again! Like, that really good team we were! Hit me up.
03/16/19
8:15 AM
Travis,
You told me you would beat me up if I didn’t give you the test answers. We weren’t a team. You were a bully and I was the bullied. Sorry for being harsh, but come on man, you have to realize this. And I don’t need to hit you up, man, we’ve been emailing for days now. What. Do. You. Want?
03/17/19
1:21 AM
Chad,
Ah it’s all good man. Like I said we were in high school. People change. Anyway. I got this…story. It’s a weird one dude. Serious crazy, but it sounded like the crazy in one of your games you nerds play, so I figger I’d ask you to listen to it and give me some pointers. Nothin big. Lemme know.
03/17/19
7:47 AM
Travis
I think I immediately regret this. But. I’ll listen to your story. Before I do, though, I need to set some ground rules, man. No more disparaging remarks about my friends and me. No more racist crap. No more foul language. If you think you can follow this then … go ahead. I know this is against my better nature, but I have to say that I’m kind of curious to see what you’ve come up with.
03/19/19
3:26 AM
Chadman!
You made the right call, bro. I mean, I wasn’t bein that bad. But I feel you on the swear words. I know I’m…crappy at that. See what I did there! Anyway. Here’s the story.
I’m a serial killer. I wasn’t always that way, but then disease hit the land and I don’t have a choice. I kill zombies. I hunt those fools down and kill they ass. The disease hit America hard. The politicians caused it. They lied they ass off so well, that the disease was able to take everything over.
It started slow. Just a dude seeing something strange in a dark alley, or a zombie poppin’ up in the park and people go out and kill it. Sure everyone knew ‘bout the disease, but the point was that you kept your distance from it. If it came near you? You smashed that zombie fool head in. Everyone knows, you get bitten by a zombie, you become one. Swear to Christ, some of them crazy people actually wanted that zombie lovin’. Goin’ out, hanging with their zombie bitch. But you know damn well what happens when someone gets bitten by the zombie disease. They become a zombie themselves.
I ‘member the first time I saw a zombie. I swear they was nothing scarier than that first night. The night of my first kill.
I was changing some transmission fluid on a cherry Chevy Charger. My head was stuck up under the damn chassis. I heard the thing shuffle in. You see that’s what they do. They don’t walk, no sir, they shuffle. I heard ‘em shuffle in, but I couldn’t believe that one had the balls to come into my shop. Then I felt its hand on my foot. It was pullin’ me out from under the car. I freaked the fuck out! It was so ugly, so rotten, so smelly. Just ugly lookin’ you know? I freaked. I was so scared I’d get some of its slobber on me, then it would only be a matter of time before I fell in with their crowd. I grabbed a tire iron. I turned and gave everything I had into that damn iron. The first strike knocked the beast over. I don’t think that ugly light was out of its unholy eyes till the third or fourth blow. I hid the body. I mean I had to. I couldn’t call the attention of the other zombies.
03/19/19
7:50 AM
Travis,
Wow! You leave it like that? You don’t follow that up with anything? Dang man. It’s a pretty intense story. I mean you have some huge flaws in your writing style, but creativity wise…you’ve taken a really out of date trope and…copied it. BUT, you have me wondering what comes next. So what comes next?
03/21/19
3:26 AM
Chad,
I tried to go on like normal, you feel me? I mean I knew those things were out there. I knew they were invadin’ the neighborhood. That’s actually what scared me the most. Those…things…coming into my life and changing things to the point where nothing else could be the same. Dicks, making me change to have to deal with them.
At first it wasn’t a big deal. They be around, but you just kinda ignore them, ya know? Then people I knew started to turn. I ‘member being at a bar and talking to this bro I’d shared beers with. He heard me talking ‘bout them creatures, and I could see how he looked at me. Like I fucking stank or something. I mean damn really? They were zombies! What’s wrong with these fools? Later, I saw that dude talking to the zombies. He walked up to ‘em and they talked for a while, but after that day, I never saw that dude again. Stupid people. You can’t hang with zombies and not be infected. Anyway.
Two weeks later I was leaving that bar. I just wanted to have a drink or three and get outta there before the zombies started in. They tended to come around after dark. No surprise there. Anyway. I left the bar and there was a zombie out there. I could tell by the shuffle. It was just dark. The sky was gray, the sun had just gone down and the street lights were lit. They was a zombie in the alley behind the bar.
Usually you can walk right by ‘em. You know, just put your head down and hurry by. They usually let you go. Not this one though. It held out its arm to stop me. I panicked. I knew it was gunna try and turn me. Make me one of … them. I jumped back and grabbed a bottle off the ground. My quick movements seemed to surprise it, but nothing surprised it more that the bottle over its undead head. Then I slammed that bottle home. Right in the neck. I worked that thing. I’m not proud of it. Oh what the fuck, I’m damn proud. It scared me. It was nasty. But eventually that damn zombie finally died. I hid the body in the dumpster back there, then started a fire.
03/21/19
8:04 AM
Travis,
Well, like I said before you need to work on your writing voice. But, for sure, bringing in real events like that will make the story come to life a little more. That dumpster fire was brutal man. I think like three people died at that club. When the fire hit the club people panicked and I think one of the people died because they got trampled. That might be something that you want to talk about a little in the story. The repercussions of the story. The ancillary deaths and injuries. The mental response from people.
Yikes! I almost said anyway. God I can hear you voice when I read your story. Keep it going. The reality is a bit disturbing, but I guess it’s a horror story, so it should be disturbing.
03/25/19
2:26 AM
Chad,
Ancillary? I looked that shit up and I still don’t get it. Anyway. Cool. Glad it makes sense, ‘cause you know, you’re a nerd and you know these things.
I went home that night and thought ‘bout what happened. I thought I was gunna feel weird about it. You know, killing those zombies? I thought maybe I didn’t feel bad after killin’ the zombie in the garage ‘cause of shock, ya know? But the more I thought about it, I was like, well yeah. Its zombies. I mean come on. Some people might not want to get their hands dirty, but deep down, everyone wants to kill those zombies.
So I sat at home and figured out a plan. I’d be really careful. I’d pick one off at a time. Then I’d throw them in the incinerator at the paper factory. You know, thin out the herd and make it safer for everyone else. Bring back some safety to the neighborhood.
So I started. I’d sneak around at night and pick off one or two. I’d bash ‘em in the head and take ‘em down, then cut off the head of those terrible stinking creatures. I thought I was doing a great thing. I thought I was doing the right thing. But they just kept coming. Once I really got started I noticed that there seemed to be more than ever. They were everywhere. They were taking over the neighborhood. Damn man, they had already taken over the neighborhood.
I gotta admit. I got kinda scared. I stayed in my house more and more. I’d only go out if I had to go to work or to get food. But everywhere I went they was there. I made sure that I kept my distance from them. I made sure that I never came into contact with those creatures. But other people didn’t seem to care. They’d just join in with that zombie crowd. I knew it was because they’d been infected themselves. I knew they hadn’t turned yet, but damn you could see they felt the effects. I mean why’d they even get close enough to touch a zombie if they didn’t? I had to get more serious. I had to stop fools from getting’ too close to those shuffling things. I knew that meant I had to take down some actual people. Ya know. Like preventative. So I did.
03/25/19
8:26 AM
Travis,
Damn man, this is really creepy. Kinda hitting close to home. You might want to be a little careful with this since there have been some disappearances lately. You don’t want the police or anyone thinking that you might have something to do with these disappearances. Tell me you don’t have anything to do with those man, and I’ll believe you. It would make me feel a hell of a lot better if I knew that you weren’t out there kidnapping people. If I knew you weren’t…killing people. I mean I never really liked you that much, but that’s next level.
I know you’re kind of a dick, but I don’t think you could actually kill anyone. Again, just tell me its true man and I’ll believe it. You never seemed to be someone that would do something like this. I even asked around to some of your friends. It made me make Facebook friends with them, which I’m not thrilled about, but they seemed cordial enough. They did say that you had become a little more reclusive, but also that you were just your normal self when you were around them. You’re freaking me out a bit man. Tell me what’s going on.
03/30/19
3:47 AM
Chad,
Yeah no worries bro. I mean the story is about a serial killer, but I’m not a killer. I’m a mechanic, bro, not a killer. Anyway.
After taking a few of them down, I noticed the issue got a little better. People stayed away from the places that I focused on. Less fools seemed to be turning into zombies. I mean, everything seemed to be going fire. I only saw zombies here and there. So I go out and I got a couple of guns. I got a machete. I even got a damn bow. I wanna make sure I could protect myself in case they started coming back round. Bro, it made me feel better. I even named my Glock Betsy. She slept beside me. Actually she still sleeps beside me. Right there on the other pillow.
Then one day a zombie came knocking on the door. Just damn brazen. Came right up and knocked. I couldn’t believe it. I grabbed my machete, ‘cause I always have it in the umbrella stand next to the door. I opened the door a crack and that zombie stood there looking at me. I grabbed it by the shirt it was wearing and threw it onto onto my hardwood floor. I kicked the door shut and brought the machete down on the creature. It cut like butter. That fool zombie moaned a bit, as only a zombie can, but then it died.
I buried it in my back yard. I couldn’t believe that stupid ass thing came right up to my door! I realized I didn’t protect myself enough against these things. So I boarded up my house. I nailed boards on the windows. I put multiple deadbolts on the doors. I boarded up my back door and the side door. I kept wood next to the front door, so in an emergency I could board that up. I loaded up the basement with C4. I mean I wasn’t gunna let those things win, ya know? There was no way I was gunna let them change me. Anyway.
Nothing happened for a while. The zombies seemed to get the idea. Then I made the mistake of turning on the TV. The zombies were everywhere, bro. Fucking everywhere. Then there was a news story about zombies gathering at the mall. I thought…damn. This is my chance. I can get rid of them all at once! It’ll be fire! People’d talk about it for ages. I had to take down that mall while they were doing their thing. Obviously any real people there would be…what do you call it? Forfeit? You mess with those creatures, you become those creatures.
03/30/19
12:05 PM
Travis,
I went by your house and it’s boarded up. I looked up the event at the Mall this weekend. It’s an NAACP rally. I’ve called the cops. I’m sorry if you were just screwing around. But this is too serious.
Local News Tonight
In other news, on this Friday March 30th, a homebrew terrorist attack was thwarted. The police arrested Travis Nelson of Cincinnatti, Ohio on suspicion of terrorist attacks and allegedly, multiple counts of murder. Apparently a source which is being help anonymously by the police turned in several emails detailing the story, and upon inspection, all the details were corroborated. Nelson apparently was planning a bombing at the NAACP rally at Century Mall…
Inspired by The Invisible Man, Universal Pictures 1933
I’d followed him here to a rundown flop house in the South Side of Chicago. I don’t think I have to tell you, this is not the place I’d like to be after dark. Then again the life of a private detective is never done. At least my protégé, Malcolm, was with me.
The tenement was just what you’d expect. It was filthy, both of bodily fluid and dirt. Stains covered the walls and strange ochre blotches littered the staircase. We ascended to what I hoped was an easy snatch and grab arrest.
We were after Dr. Jack Griffin. A man once reported missing, but recently showed his face…well I guess I can’t say that, now can I? He appeared, but his skin was covered in heavy duty bandages. He announced himself as he robbed the bank. Told everyone he was the illustrious Dr. Jack Griffin.
The guards chased him to the alleyway, but all they found was a trench coat, some shoes and socks, and a large swath of Ace bandages.
So how do I know it was Dr. Griffin, you ask? I took finger prints. It was a slam dunk match. I followed the trail here. Through the years, I’ve found it’s better to sneak up on your prey, so I decided to come at night. I regret that decision.
“Keep your eyes peeled. If you have to shoot, aim for the legs,” I told Malcolm. I made sure my voice was lower than the creaks of the staircase. No point in announcing our visit.
He nodded in response. Good lad, keeping quiet.
We reached the room in question. The door was ajar, so I held my hand out, indicating Malcolm should wait outside. Be prepared in case Griffin tried to escape by way of the stairs.
The room was a sight of horrors. I dared not engage the lamp, because what I saw was enough. It wasn’t a living space, but a laboratory. There were cages lining the walls with dead rotting creatures, and the ones who were alive were so emaciated they might as well be dead. Rats, dogs, rabbits, pigs, you name it. The smell was unbearable.
I slowly pressed the hammer back on my .38 special, wincing as it clicked into place. I moved through the room past lab equipment and what I can only describe as an autopsy table – mid procedure. I could swear that the temperature in this room was far cooler than it was in the hallway, but there was a notable absence of the monotonous drone of fans.
I observed a door with light emanating from behind it. I creeped over to it, pausing only once when the floorboards creaked beneath me. I was sweating profusely despite the cool temperature, the moisture ran down my forehead as I reached for the door handle to this door. I gripped it tightly and took a deep, silent breath.
The door was ripped from my hands and swinging open, revealing a stark bedroom. It had a single bed, upon which was the score from the bank. I lifted my pistol, bracing it with my off hand, and swung it around the room. I was sure Griffin opened the door and I was also sure he knew I was here.
But the room held nothing but the bed and the cash.
I took a few steps in, my arms rigid, holding the gun aloft. I bent at my waist and leading with the gun, peered beneath the bed. Nothing. I stood and looked back into the laboratory and saw what I could only describe as a figure running through the room.
“Griffin! Show yourself!” I yelled. Sneaking was useless. He knew we were there.
I somehow lost him in the room and I was suddenly overcome with horrid nausea. How could anyone live like this?
“Get ready to die,” a voice whispered in my ear. I could feel hot breath on my skin and I broke out in gooseflesh.
I spun around, nearly firing my gun. There was nothing. I must have imagined it.
“Fool,” That hot whisper assaulted my other ear.
I twisted again, this time firing. The bullet went through the wall out into the Chicago air.
The door to the hallway burst open and I caught a glimpse of Malcolm as his expression turned to surprised horror. I can’t explain what happened, but it look like he was pulled back, as though he were a vaudevillian actor being pulled off the stage by a hook. Although, there was no backstage for Malcolm. He went tumbling backwards down the staircase. I heard him scream then I heard a crunch followed by silence. I still could see nothing.
“Show yourself you coward!” I screamed.
Laughter echoed through the room. I feel that he was there with me and I have no idea how he was able to knock Malcolm down the stairs without me seeing.
“I must continue my research.”
The whisper was directly behind me. I felt his fingernails slide through my hair.
I twisted, flailing blindly with my fists. More laughter to my right.
“I thought I was curing cancer.”
He bit my ear lobe. I screamed and pulled away. I felt violated. Something as intimate as a bite. How had he gotten so close?
“But this is something so much more.”
I felt a punch in my stomach.
“So I must continue my research.”
I looked down. It was not a punch. It was a knife. I felt a hand cradle me but saw nothing. I watched as it unlevered itself from my stomach and slammed home again and again into my torso. The knife was moving of its own volition. How was this possible?
“By any means necessary.”
I could see blood spill down the handle of the blade. It covered what looked like a hand. A towel flew up from the table next to my body, as my sight began fading to black. It wiped the hand, and as the blood soaked the towel, the mystery hand it was wiping evaporated. It was the last thing I saw.
Welcome back to another Blind Read! By the looks of things, I will have made it through all of Lovecraft by the end of the year. SO…If you have an author that you’d like to discuss, or have trouble reading let me know! Maybe they can be the next author covered in this series.
“At length, being avid for new strange things and held back by neither the Kingsporter’s fear nor the summer boarder’s usual indolence, Olney made a very terrible resolve.”
This story is a connector of the Dreamlands stories. In it we have a house perched on top of a tall cliff, with the only doorway leading out to the abyss of the cliff. Inside the house we have a protector. Someone who spends eternity guarding the world from the other gods and the incursion of the Dreamlands into our reality. We are enabled to see this house because our intrepid adventurer, whom out of curiosity and a lust for life, finds a way up to “The Causeway” and meets this caretaker.
We start the story describing the harbor town of Kingsport. Right from the very first paragraph we are given knowledge that the people of Kingsport know there are strange dealings around them. The feel of the town is one of mysticism. The fantastic nostalgia for a simpler time. A time when older gods ruled the world and people only wanted for basic survival. There was no rat race, but a desire for simplicity and knowledge. This is the core of Lovecraft, both person and writings. He believed in simplicity, and loathed materialism. You can see this starkly in his portrayals of cities like New York, as he yearns to stay in his protected, almost mythical, section of New England.
Thomas Olney, our main character, is new to Kingsport and he hears stories about the house from sailors and an old bearded man in town. He can occasionally catch glimpses of it as well through the thick mists that circle the craggy cliff it sits upon. His curiosity overwhelms him and he decides that the’s going to take the trip up to it. It is a dangerous and arduous journey, but eventually he gets there and finds that the only ingress to the house are the closed windows, and a door that opens out over the cliff. He hears someone approach and hears the door creak open, so he hides beneath the sill of a window, only to be pulled into the house. The man who pulled him into the house is young and bearded and he is reminiscent of the grouchy old man in the village who seems to know about this house.
The bearded man tells stories to Olney; “…and heard how the kings of Atlantis fought with slippery blasphemies that wriggled out of rifts in the oceans floor, and how the pillared and weedy temple of Poseidonis is still glimpsed at midnight by lost ships…”
This is both a reference to R’lyeh, the city where Cthulhu is buried in slumber, and Dagon, one of the pantheon of lesser gods and linked with Poseidon. In other stories there is mention that the god like men of Atlantis fought off the Elder Gods, Cthulhu being one of them. Where they couldn’t defeat them, they buried R’lyeh, the lost city, and trapped Cthulhu within the earth. Dagon is the fish god, and still calls creatures from the sea in a slow effort to gain back control. See The Shadow over Innsmouth.
Olney is also told of older things: “Years of the Titans were recalled, but the host grew timid when he spoke of the dim first age of chaos before the gods or even the Elder Ones were born, and when the other gods came to dance on the peak of Hatheg-Kla in the stony desert near Ulthar, beyond the River Skai.”
There is a lot to unpack there, but basically we have the establishment of what Lovecraft himself called “Yog-Sothothery”, later to be coined “The Cthulhu Mythos” by August Derleth, one of Lovecraft’s closest friends and writing partners. The other gods were first; terrible creatures and malevolent in nature. The Elder Ones came later. Creatures like Azathoth. Then later, came the deep ones like Cthulhu. The River Skai also has importance in the Dreamcycle as we see in the Dream Quest of Unknown Kadath and other stories.
Shortly after describing this, something comes to the door of the house. The bearded man hurries and locks the door, then goes around the house and shutters all the windows. It’s a suspenseful scene as he tells Olney to get low and be quiet. “And the bearded man made enigmatical gestures of prayer…“. The bearded man is setting wards against shadows that are gathering in the room, “For there are strange objects in the great abyss, and the seeker of dreams must take care not to stir up or meet the wrong ones.”
All of this information, plus numerous mentions of dreams and dream seekers, leads me to believe that this house is a way point. This house, in between Kingsport and Arkham, is an thin place that connects the dream world to the real world. The keeper, the bearded man, must be careful not to let these ancient horrors through the world. He gives the information to Olney, just like he gave it to The Terrible Old Man (Lovecraft even capitalized this honorarium in the story) so many years before. They get just enough information to be afraid of the house, and potentially keep others away. Olney never goes back, and in fact he loses some of his natural curiosity because of the shock of the experience, and eventually moves away. But still that Strange High House in the Mist stays and guards against the others from transcending into our world.
Ignorance is the foundation for Evil. Ignorance, not in derogatory terms, but in it’s definition; a lack of knowledge, is the cause of the greatest of all issues.
Welcome back to another Blind Read! Today we’re tackling an introduction to Randolph Carter, in the short vignette, and we’re covering the nature of evil, and how in Lovecraft, it always seems as though a willed ignorance is the cause of much of the horror.
The Statement of Randolph Carter has our titular character telling officials of what happened to his friend Harley Warren.
It seems as though Mr. Warren delved into strange occult books. He was fascinated with something, and kept digging deeper and deeper. He searched the world for the book that would tell him what he was looking for, and eventually he found it. Carter says that many of the books he is looking at are in Arabic, proving that he is looking for some ancient knowledge, but that the book that holds the secrets are in a language that Carter doesn’t understand.
Carter helps Warren carry equipment to a site, but when the open the tomb Warren turns to Carter, with confidence, and tells him that he is to stay there. That Carter’s sensibilities are too soft to experience what is down in the catacombs of the tomb.
Warren heads down and clicks on a phone, so that he can communicate with Carter. Warren eventually finds what he’s looking for, but realizes that he’s made a mistake. Whatever it is that he was looking for is far worse, far more powerful, far more demented, than what he anticipated. He screams and screams for Carter to run, that it’s too late for Warren to save himself, but Carter could get out.
Carter promises to save Warren, but cant bring himself to go down into the tomb. Eventually he hears a voice that tells carter “You fool. Warren is dead!”
I’ll get to the idea of ignorance, but first there is something that has been happening in quite a few Lovecraft stories which had been bothering me; in many of the stories, the narrator of the story passes out from fear before they get a glimpse of the true horror that is coming for them. Why is it that these Elder creatures and beasts are letting these people live? They come upon them, helpless, but they always let them go to tell their story. This is useful for Lovecraft to tell his tales, but is there a thematic reason for this benevolence?
I think there may be more to it. How else could all these old books like The Necronomicon be written? The knowledge had to have been obtained for the first time somehow. Could it be that the Elder Gods allowed some man to write down this knowledge? Or could it be that they want the knowledge to get out?
There is another possibility…do they have a moral code? I have always assumed that the Elder Gods have a chaotic nature, but do they not attack people that don’t wish to delve into their secrets? Do they stop their rampage when they find something helpless? Are they like the Predator? An alien creature who is a hunter, who never kills when the prey is helpless? There seems to be some credence to this theory.
So if the Elder Gods are indeed this way, then why would anyone strive to find their secrets? Is it just curiosity? Power? Which brings me to my next point. It seems like the cause of much of the issues that begin in Lovecraft, happens when ignorance takes over.
These brash adventurers, who with to go after this forbidden knowledge, are in fact ignorant of what the knowledge they seek really means. In every story these men find these books and seek their knowledge. What we infer is that these men see that there is hidden power or knowledge and that’s where they stop. It is their ignorance of what is actually going on that causes their deaths.
So are the Elder Gods actually evil? Or are they only trying to stop the ignorant from accessing knowledge (like strange angles that will enable you to travel to another dimension), that they are not ready for?
Back for another Blind Read. I am trying to keep honest to the Blind Reads and not do research on the side to gather connections, but if my memory serves me correct, Dagon is one of the lesser gods in the Lovecraft pantheon. That makes this story very interesting to me because this story could have wide ranging implications for the building of the Mythos (or apparently as Lovecraft called it, Yog-Sothothery. It was actually August Derleth that coined the phrase Cthulhu Mythos).
The story follows our narrator during WWI, as his ship was taken by a German sea-raider ship. He escaped them and found his way to a strange, unknown of island in his dinghy. As he explores the island, he finds a strange monolith with images carved that are humanoid, but fish-like. They have webbed hands and feet, they have large eyes and large lips, and they are huge, nearly the size of a whale.
As he stands there one of these creatures comes out of the sea and hugs the monolith, then prays to it.
The narrator immediately thinks of Dagon, who is an ancient fish god.
What is provocative about this story is that there have been small connections in the past with figures like Nyarlathotep, which make a connection with our actual world. The difference, however is that in every previous story I’ve read the characters in the stories are fictional, in a real setting. This is an actual god that people have worshiped in the past, and here Lovecraft uses the same name and adopts it as his own. Thus bringing his pantheon into our cultural reality.
There are two different ways to look at the story. One is that the creature that comes out of the sea is a disciple of Dagon, and the monolith is what it prays to in supplication to Dagon. This event keeps Dagon as a god, and now we have a race of cthonic creatures, whom live under the sea and live under Dagon’s rule.
The other way to read it (and this is what i believe Lovecraft intended) is that the creature that comes out of the sea IS Dagon. This is a much more horrific idea. This means that this creature, which made the narrators mind break (“I think I went mad then”) at the mere sight of it, is actually supplicating to something more than itself. So this creature which in our real life mythology is considered a god, has a being so much more powerful than it (Cthulhu himself?) that it prays through the form of the monolith.
What do YOU think?
Join me next Tuesday for another blind read of “The White Ship”.
This fun little ditty was a page out of Poe. Thus far this was the most linear and straightforward story, and obviously something that Lovecraft knocked out one dreary evening. Very little appears of his Mythos cycle, or of his cosmic horror, except for a few sentences in the middle of the story.
Ostensibly this story is about the town of Ulthar, who loves cats. There is one crotchety old couple that will kill any cat that comes near them in the night, but the town folk are too scared of them to approach or do anything about them, so they continue their nefarious deeds.
Then we have a strange caravan with strange drawings come through the town. The people are odd and are interested in buying odd things, and there is a young boy names Menes, who’s parents died “in the plague” and he has a cat whom he loves and makes him happy in their absence.
That night the cat that Menes loves so much disappears and the towns folk blame the old man and woman in the cabin in the forest. Menes prays and meditates in a language the people don’t understand, and many of them feel as though there are strange symbols and creatures in the sky and in the trees, but the narrator says that sometimes “…nature is full of such illusions to impress the imaginative.”
All the cats disappear in town the next day and the old couple is blamed, but then the cats come back, full and lethargic.
The mayor checks on the old couple, only to find two skeletons picked clean.
Here is Lovecrafts genius. In the first paragraph he states that cats are “the soul of antique Aegyptus…” and that they have vast knowledge beyond our understanding. The boy in the town was named Menes who was a Pharaoh of Egypt around 5000 BCE. Here we have the link to the fictional Nyarlathotep from millennia ago, and one can assume that this caravan was indeed a troupe following Nyarlathotep, as Menes calls upon his Old Gods power (which looks very similar to how it looked in the story “Nyarlathotep”).
At this point I assume that all of these stories are told within the same headspace, and not necessarily meant to coalesce, however the more I dig and the more I read, the more it seems as though there is connection.
Join me next week for the next blind read through “Hypnos” as we get deeper in the the mythos of Lovecraft.
This was the first story from the “Dunsany” period and probably the first iteration of his eventual shift into the Cosmic Horror genre. Published in 1919 (full of mis-spellings and embellishments), this story tells of the city of Sarnath in the land of Mnar. Sarnath was built next to a river, near the Ancient City of Ib. The city of Ib, as we find out from the extremely old and archaic writings on brick walls of another ancient city and parchments, is housed by strange beings, who are green and have a green halo, and bulging eyes and flabby lips. These beings are mute and supposedly descended through this green mist (which occasionally also surrounds the moon) from the moon to create the city of Ib next to the still green lake.
The primitive warriors of Sarnath decide that they hate the minions of Ib because they are disturbing looking and worship Bokrug, a water lizard. They kill all the creatures of Ib and push them into the lake. They destroy the city of Ib, and keep only the green statue of Bokrug. Soon the high priest of Sarnath (Taran-Ish) dies, with an expression of great horror and writes on the sea-green stone idol of Bokrug the word…DOOM.
The city moves on and goes through decades of prosperity, mining out precious stones and living richly, until one day, during a ceremony commemorating the destruction of Ib, a mist floats down from the moon to the still lake, and green creatures come forth and destroy Sarnath.
Lovecraft is obviously describing Inuit’s when he talks about Sarnath and it’s peoples. The land of Mnar, has some Norse inclinations as well. The reason I say this is because the green haze must indicate the Northern Lights, which seem to emanate from the heavens and descend upon earth. Then at the end of the story Aryan men go to view the ruins of Sarnath (showing Lovecraft’s prejudices, since they were the only people on earth with enough courage to view the ruins), indicating that it is a different location than Europe.
The story attempts to pull its horror from the fear of religion and the bible once again, and I’ll be curious to see if that is indicative of all the Dunsany stories, or if it’s a theme throughout. The Ultimate story is a combination of Sodom and Gomorrah, and Babel themes, mixed in with a little Old Testament, good old, God fearing idol worship. The people of Sarnath are being punished for their worship of a false god and their love and lust of the material, and then the Ancient Ones come back for retribution with their strange descendants, the creatures of Ib.
Because this is a blind read through and I haven’t read any Lovecraft before I dont know if Bokrug is part of the mythos cycle of Gods, but I would probably argue that it should be at least a lesser god.
For purposes of categorization, Bokrug will be a lesser god, based in Greenland area. We’ll see if that has any bearing on the future stories.
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