“If Aragorn survives this war, you will still be parted. If Sauron is defeated and Aragorn made king and all that you hope for comes true you will still have to taste the bitterness of mortality. Whether by the sword or the slow decay of time, Aragorn will die. And there will be no comfort for you, no comfort to ease the pain of his passing. He will come to death an image of the splendor of the kings of Men in glory undimmed before the breaking of the world. But you, my daughter, you will linger on in darkness and in doubt as nightfall in winter that comes without a star. Here you will dwell bound to your grief under the fading trees until all the world is changed and the long years of your life are utterly spent.”
Welcome back to another Blind Read! This week we dive back into the movies and search for connections and clarifications to the second movie, “The Two Towers,” while trying to understand the motivations and plot developments in the film.
Long do the lives of the Valar echo through the mortal world. There are small scenes throughout this movie I had never caught before knowing about The Silmarillion and the events of the First Age, but after viewing them, you see how well Peter Jackson and crew dealt with the script of this series.
I’d first like to touch on the Elvenkind before going any deeper. While reading these books years ago and then later watching the movies, I always thought that Elves were higher beings. Beings able to see the future and were wise beyond their mortal coil. I thought they were so aloof because they had sight beyond and could see and form events before they happened. For example, I thought they knew how the war had to end, so they acted accordingly.
After reading the Silmarillion, I see that they are petty, selfish, and have a conflated ego. That sounds a little harsher than I mean it to because their actions come from love and fear; but they stayed, locked away in their respective lands (reminiscent of The Girdle of Melian) and let others fight battles that should have been shared.
A great example of this is the opening quote. It is a scene with Elrond and Arwen, where Elrond is giving Arwen a speech about how she needs to leave Aragorn behind and head off to Valinor. Elrond tells her that the only thing she will find in Middle-earth is death because she will outlive Aragorn and be alone. But, again, it is a father’s speech, a speech that comes from love, however misguided it is, and it’s only Arwen’s ultimate decision that makes Elrond make the right call.
Elrond even convinces Aragorn to talk with Arwen about leaving. Elrond knows that the quest for the ring doesn’t have good odds and that Arwen deserves to be with her people in the Gray Havens. Aragorn tells Arwen they are fools, and “what were they thinking?”
But there is a precedent for their actions. We will soon see Beren and Lúthien in an upcoming chapter of The Silmarillion, and while I don’t know their story, I know Beren was a Human warrior, and Lúthien was Thingol’s daughter (the daughter of the Maiar Melian of Girdle fame, and Thingol was a Sindar King holed up in Doriath). I’m excited to see if Aragorn and Arwen’s story echoes Beren and Lúthien. Those star-crossed lovers of the first age are mentioned in this context in the movies as well, though so fleetingly, you may miss it. Ultimately (for lack of a better phrase) reading the Silmarillion humanized elvenkind for me. They are just like humans, with all their flaws, and jealousies, and fears; they only have centuries more wisdom to rely on.
Speaking of Aragorn, there is the scene where they are fighting with the Wargs on the way to Helm’s Deep, where Aragorn falls over the cliff into the river and is thought dead. This scene was the biggest “ah ha” moment because while watching this in the Theater (and in subsequent viewings), I always thought it was a bit too convenient that Aragorn washes to shore, revived. What I didn’t notice (and now that I think about it, it might only be in the extended edition) was Arwen praying in the background (half in scene and half in voice over). Then, she calls the Valar and asks for them to help Aragorn. The Valar who has Men and Eldar’s greatest love is Ulmo, the Valar of water. There is no coincidence that Aragorn was injured and revived from the river. Ulmo healed him or brought him back from the dead because of his importance in the Battle against Morgoth’s Maiar General Sauron.
Speaking of Maiar, we have Gandalf and Sarumon and their dichotomous leanings. Gandalf was raised from the gray level to the white level (I’m still not sure what that truly means) because he was above the corruption of Sauron and the Palantir, which sullies Sarumon’s mind. The White Wizard of Orthanc turned to the ultimate evil…industry. He tears down the forest of Fangorn to fuel his war machine, which Tolkien believed was the ultimate evil. Tolkien believed in his mythology, whose genesis takes place in The Silmarillion. He believed that nature and music were tied together in their beauty and power and that those two things together were what made the world pure.
This concept directly corresponds to the Ents, created by the Valar Yavanna, whose music created the beauty of nature. The battle of the Ents against Orthanc is Tolkien’s way of showing that heart will always win over the industry. We can see this in real life (which was his inspiration) of destroyed battlegrounds, which recover and become lush green lands with little remnants of the horror that had once taken place there.
I’m sure there was much more I missed, but if I had any recommendation, it’s to read the Silmarillion (or at least read this blog!) because the movies have far more depth with the foreknowledge of what had already transpired.
Join me next week as we dive back into the Silmarillion and see the consequences of the Fourth Major Battle of Beleriand!