“Plodding through the endless downtown streets and the bleak, decayed squares beyond, he came finally upon the ascending avenue of century worn steps, sagging Doric porches, and blear-paned cupolas which he felt must lead up to the long-known, unreachable world beyond the mists.”
Welcome back to another Blind Read! This week we are tackling the darkness and entreating to hold a candle to the mystery and banish the Haunter of the Dark!
I had to sit and ruminate for a while on this one to decide whether it was genius, or if there wasn’t much going on. I think this is what happens when people read Lovecraft in succession like this for as long as I have. The connections are the same, the locations just change. We absolutely get the influence of the Mi-Go, much like we had in The Whisperer in Darkness, and some direct contact with the Outer Gods. What I’m finding more and more intriguing with these stories is that there is absolutely a theme of the connectedness of madness and genius. This story though, had a new surprising twist which took me a while to pick up on.
This story, though written later than many of the other stories, seems as though he was trying to tack on his mythos into something a bit more gothic in nature. In essence this is a sequel to a Robert Bloch story (“The Shambler from the Stars” of which I have not read, so feel free to take this critique with a grain of salt. I’m making assumptions based upon what I know of Bloch’s work. Though he does bring in insanity nicely in much of his work. Think “Psycho.”) and we have some amazing imagery and some quintessential Lovecraftian academic themes (I’ll explain later), but when we boil it down to the ending, I initially felt it was phoned in…that is until I thought about his wording. What is a Haunter, really?
Right off the bat we are told the ending, “Cautious investigators will hesitate to challenge the common belief that Robert Blake (read Bloch) was killed by lighting.” and we know immediately that Blake will die from whatever he gets himself into. This also leads into the broader gaming aspect which has made Lovecraft so popular. Being an “Investigator” and endeavoring to reveal what kind of strange death or rare occurrence happened is the corner-stone of the gaming experience, and this story is a good example of how that framework came about. There aren’t really investigator characters in Lovecraft, but there are the curious interlopers and in stories like this the characters go down a rabbit hole which is exactly where the ideas of the game come into play. Things like finding artifacts and texts which lend to further understanding of the Lovecraft universe are probably what sparked the idea for the game in the first place. Which leads me to a wonderful scene in the tale.
“When he did look away, it was to notice a somewhat singular mound of dust in the far corner near the ladder to the steeple. Just why it took his attention he could not tell, but something in it’s contours carried a message to his unconscious mind. ploughing toward it, and brushing aside the hanging cobwebs as he went, he began to discern something grim about it. Hand and handkerchief soon revealed the truth, and Blake gasped with a baffling mixture of emotions. It was a human skeleton, and it must have been there a very long time.“
This tense exposition is a perfect example of the gothic nature of the story, but it’s slow burn displays it’s brilliance. We can feel the environment, the cold stone, the cobwebs, the air thick with dust, and everything there holds meaning. The skeleton uncovered is actually an old reporter from the defunct paper “Providence Telegram,” and a notebook Blake finds on the skeleton holds the history of what transpired to that poor soul.
There is also the oddity of the bones themselves. Yes they’ve been there for years, but there seems to be something strangely nefarious in the dark “The skull was in a very particular state – stained yellow, and with charred aperture in the top as if some powerful acid had eaten through solid bone.” There are even bones with “seemed oddly dissolved at the ends.” What could have possibly eaten through his head? There is even mention of a blackening, like lightning. Strange happenings, and even through the end we don’t get a complete resolution…that is until we dig into the text a bit more.
So what was it that caused this reporters death? Was it shock? Herat attack? Was there some strange electrical charge which did this? Acid? Perhaps we might look to his journal:
“Fr. O’Malley tells of devil-worship with box found in great Egyptian ruins – says they call up something that can’t exist in light. Flees a little light, and banished by strong light. Then has to be summoned again. Probably got this from deathbed confession of Francis X. Feeney, who had join Starry Wisdom in ’49. These people say the Shining Trapezohedron shews them heaven & other worlds, & that the Haunter in the Dark tells them secrets in some way.”
So was this a cultist haven instead of a church? What is the Shining Trapezohedron? What kind of wisdom did the Haunter show them, and who is the Haunter? The layout of the church itself is even curious, “The designs were largely conventional, and his knowledge of obscure symbolism told him much concerning some of the ancient patterns.” and even more strange, “Blake noticed that the cobwebbed cross above the altar was not of the ordinary kind, but resembled the primordial ankh or crux ansata of shadowy Egypt.“
There are even strange texts there in the old chapel area, “a Latin version of the abhorred Necronomicon, the sinister Liber Ivonis, the infamous Cultes des Goules of Comte d’Erlette, the Unaussprechlichen Kulten of von Juntz, and old Ludvig Prinn’s hellish De Vermis Mysteriis. But there were others he had known merely by reputation or not at all – the Pnakotic Manuscripts, the Book of Dzyan, and a crumbling volume in wholly unidentifiable characters yet with certain symbols and diagrams shudderingly recognizable to the occult student.“
Blake continues further up past “Yellowish stains and charred patches (were) found on the ladder to the windowless spire,” where he finds a strange shining stone (The Trapezohedron) and glimpses the vast secrets of the universe within it. He sees beyond Yuggoth (Pluto as we found from “Whisperer in Darkness”), he sees the history of the strange Mi-Go first coming to Antarctica, lost continents lost to the sea (Atlantis? R’lyeh?) all the way through to Egypt…where Nyarlathotep corrupted. But the visions also seemed to call something forth. Something large and winged and darker than the night. Something which lives in darkness and something that, now that he has gazed into the stone, knows about Blake and can see into him as well. Sees him and speaks to him, even after the box with the strange shining stone is closed. The Haunter in the Dark.
Here is Lovecraft bringing in his classic theme of shape to something new and devious. The Shining Trapezohedron immediately makes me think of the puzzle box from Hellraiser, could this be that Lovecraft has created yet ANOTHER trope for the horror genre? Well, whether he did or not, he does bring back his infamous odd angles. If we remember back with “Dreams in the Witch house” (probably the best designation of this theme), Lovecraft uses strange angles and shapes to give off the feeling that something is off. When buildings are convex instead of being concave as in “The Music of Erich Zann” and it gives the reader a feeling that something unnatural is happening, but in “Dream in the Witch House” the odd angles actually create magic. They create a space where our reality has folded into different angles and the spaces between the dream world, the universe, and time, are thin. Something Stephen King would have called a “thinny” in his Dark Tower series. This thin space allows magic to flow into our world, but it also gives us glimpses into worlds beyond our ken, much like this Trapezohedron…or even the puzzle box.
So the “Haunter” who seems to live in the space of the box, now has a view to Blake, but then something terrible (at least for Blake) happens. There is a terrible storm and the power goes out. Because we know the Haunter lives in the dark and fears the light, there is a mounting fear through the remainder of the story, until finally we get to the climax.
Through the dark they find Blake, frozen before his window. There were the familiar burn marks on the top of his head, however the glass of the window was unaffected, also “...a burst of the singular foetor was likewise noticed.” in his room.
“The rigid body sat bolt upright at the desk by the window, and when the intruders saw the glassy, bulging eyes, and the marks of stark, convulsive fright on the twisted features, they turned away in sickened dismay.“
They couldn’t wrap their minds around what could have possibly happened so they said it had to be lighting…lightning that scorched the top of his head, much the same as the journalist in the church spire. There is also that Fetid Odor (yep I meat to capitalize it. There are so many mentions of the “odour” in Lovecraft that I feel as though it’s the outsider calling card. It just deserves something more.) which pervades the room and emanates from the body.
To me there is something far more disgusting going on here.
If we look up the definition of “Haunter” in Webster’s one of the meanings is “To remain persistently; to loiter; stay or linger.” and the story is built upon the premise that Blake saw something of the Haunter in the Trapezohedron and it has come back for him, but that doesn’t really fit with the title.
I think what’s really going on here is the Haunter is a being, or beings, who use the Trapezohedron to traverse time and space, much like the witch did in her strangely angled house, and when Blake gazed upon it the knowledge it gave him was of the universe. But to give that knowledge it implanted, or impregnated, his brain with a thought child. A thought child that grew in the darkness, because what it was used to was the void of space. No, the Haunter didn’t come from outside, the Haunter lingered in Blake’s brain until it grew large enough, by feeding on his psyche. It waited until it was dark enough to extricate itself from his mind and not be damaged by the light. It used the synapses of his brain to create an exit and literally fried an exit hole through his skull. That’s why his head looked like it was hit with lightning. That’s why there’s the strange fetid (read fungoid) odor coming from his head.
We found out in “The Whisperer in Darkness” that the strange smell which is re-occurring in Lovecraft is actually that of a rotten fungous, which is the smell of Yuggoth. And what is a fungous? It’s a parasite. It grows from others nutrients. It’s a passenger. It’s a Haunter.
Join me next week as we dive into another of Lovecraft’s comedic short tales, IBID!