“There rose within him the tantalizing faith that somewhere an easy gate existed, which if one found would admit him freely to those outer deeps whose echoes rattled so dimly at the back of his memory.”
Welcome back to another Blind Read! I’ve finally finished with the Juvenilina and I can’t say how happy I am to be back with the fragments. These are some of his later story ideas and, well, fragments of stories that Lovecraft never got to finish and oh my lord what a wealth they are.
These fragments contain more Yog-Sothothery than any of the individual short stories that I’ve read so far and I wonder if these works were his way of organizing his thoughts. He packs so much information into these few pages, while the rest of his short stories are vague and only hold a little indication of where he wanted his mythos to progress. I wonder if this is how all of his stories started and then he pared back on the lore, so that he might be able to focus more on the. After all, to me, the greatest strength of Lovecraft is how he lets the reader develop the horror in their own minds.
Anyway, back to the story. This story starts out like many of his other stories where the narrator tells us of a man (here in London instead of New England) who walls himself off from friends and family. He has been traumatized by something in his past and we get a page or two glimpse of how he lives his current life, then we peel back the onion to stare directly into the trauma.
The man strives to stay away from anything that makes him think. In fact the only books he has are brain candy: “His room is filled with books of the tamest and most puerile kind, and hour after hour he tries to lose himself in their feeble pages.” No! Lovecraft wasn’t elitist, I swear! (as a side note, I’m really curious to see who he thought was “puerile.” That would be an interesting post in and of itself!)
The point is, something happened to the man and he wants to make sure his brain doesn’t delve deeper into whatever past experiences he had. That’s either a coping mechanism not to relive the trauma, or it’s because he has something hidden in his brain that he’s scared to bring back out.
Eventually a young man named Williams enters his life. This young man is a scholar and has a feeling that the old man knows something more than he tells. He picks and prods and eventually gets a bit of information out of the old man about his past.
Seemingly unprompted, though one might believe that he inferred about the terrible book from the conversations he had with the old man, Williams brings home the Necronomicon. “…the infamous Necronomicon of the mad Arab Abdul Alhazred.” which he sought out from a local rare bookseller.
The old man sees the book and, “…one glimpse he had had of the title was enough to send him into transports, and some of the diagrams set in the vague Latin text excited the tensest and most disquieting recollections in his brain.”
We learn that the old man is Lord Northam, whose lineage goes back to Roman times. In fact, one of his Roman ancestors actually found evidence of the Old Ones; “Gabinius had, the rumour ran, come upon the cliffside cavern where strange folk met together and made the Elder Sign in the dark…”
During the Hellenistic period and slightly before there were cave dwelling hierophants who practiced something called the Eleusinian Mysteries, which were basically rituals to Hades and Demeter. We already know that Lovecraft gets much of his inspiration from Greek and Roman culture and it seems as though he is adopting these Hierophants as his own to represent his Cthulhu cult (I.E. praying over the ocean). He also infers R’lyeh, “a great land in the west that had sunken, leaving only the islands with the roths and circles and shrines of which Stonehenge was the greatest.”
The story abruptly ends while telling about Lord Northam’s childhood, and one gets the feeling that if Lovecraft was able to actually finish it, this story would be one of the most complete and comprehensive histories of his Mythology.
We get so much of the origins of the cult that surrounds the mythos, including a great understanding of where in our world much of these places are and the events that happened within them. Lovecraft was absolutely anglified, making the majority of his major events happen in England, New England, and in the sea between, but he also holds a special place in his heart for the mysteries of Greece and Arabia. There is much that he didn’t understand about those worlds and I think he was drawn to culture mainly because of the desert. It was something that he couldn’t have imagined being in, or being around (whether that be because the of the temperature, the vast miles of nothingness, or the emptiness of humanity) and thus it grew in mystery within his brain. I believe that’s why he posed the people of the mysteries as cultists and why artifacts of the Old Ones power (The infamous Mad Arab, and even the narrator from The Transition of Juan Romero) seem to come from there. Because the culture was so vastly different, that in a way he vilified it.
Once again we are shown brightly Lovecraft’s xenophobia, as he subsumes it within the mythos he created. Transposing real world people and events into horrors which we don’t understand and cannot contemplate.
Come back next week for another Blind Read! We’ll be covering the fragment, “The Book.”