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Blind Read Through: H.P. Lovecraft; The Dream Quest of Unknown Kadath, Pt. 3

Dark tales told in a circle, with the only illumination coming from the campfire.  The master storyteller, eliciting the terror from their subjects as they tell their story.  Cadence and timing is paramount to the proper telling, and this story teller has it down to a science.

Welcome back to another Blind read!  This time we delve deeper into the Dream Quest of Randolph Carter, and we get some new illumination on the cannon of gods prevalent in the world.  But first, a recap…

We last left off when Carter got to Celephais, and we pick up this week with the introduction of King Kuranes.  He is the king of Celephais and has died in real life, thus becoming a permanent denizen of the Dreamlands.  King Kuranes has made Celephais look like Cornwall, because he had a longing for being in a land of his childhood.  They speak for a while about the dreamlands in general, and Kuranes tries to talk Carter out of going on his trek to Kadath, but Carter is set in his path and he joins another ship, to head out to the plateau of Leng to find Kadath.

On this ship they find their way to Inquanok, a city made out of Onyx.  The sailors tell Carter that the city was made from a number of quarries, where they mined the Onyx, but there is one Quarry farther on, that no one goes to any more, that quarry has larger and unknown quantities of Onyx.  It is here that Carter wants to go because he has heard that the great city of Kadath is built of Onyx, much like Inquanok.  There is  temple to the Elder Ones here in Inquanok, and it is overseen by a “High Priest, with inner secrets”.

Carter continues on and goes to an old sea tavern, where he finds, again, the slant-eyed merchant.  Who seems to have followed him on his journey.

The next day Carter purchases a yak to travel to the unknown quarry to find answers and hopefully get closer to Kadath.  He is sure that he is very close, because of the Onyx connection.

He travels through the quarries, and eventually the yak gets spooked and runs away, and finally the Slant Eyed Merchant finds him and captures him with aid of the horrible Shantaks.

I have to say, I love getting a little more knowledge about the gods of Lovecraft.  I know that this one was published after Lovecraft died and I wonder how much of the influence of this story comes from August Derleth.  But I digress.

The most interesting thing I have come to realize about Lovecraft is his style of writing.  I have always had a bit of trouble getting into his verbose style, but what i have come to realize is that Lovecraft is best read as though he were  storyteller around a campfire.  The tone and inflection are the same, and if you read anything, especially “The Dream Quest of Unknown Kadath”, in this way, the story comes through so much more vividly and beautifully.  Every author has their own voice, and once you have come to realize that voice the experience of reading that author becomes that much greater, and though I have thoroughly enjoyed reading all the Lovecraft I have, up to now, I know that with this understanding, I will absolutely love everything else!  I just wish I hadn’t gotten through more than half of his works before coming to this realization!

Ok, back to the story…The first notable mention is the delving in to dream.  King Kuranes is the ruler of Celephais, and he is dead in the waking world.  It is not made clear in the story as to whether he died in the dream world or in the waking world, but he still has the power to change the landscape and make it that of the Cornwall of his childhood.  There are a few interesting ti bits in this that we can examine.  The first is that King Kuranes is a friend of Carters, even back in the waking world.  Carter is an experienced dreamer, that we know from the description at the beginning of this story, and he has known Kuranes mainly through dream, but Carter has known him in the waking world.  In fact “who in Carter’s latter dreams had reigned alternatively in the rose-crystal Palace of Seventy Delights at Celephais and in the turreted cloud-castle of sky-floating Serannian.”  So the question is, how can Kuranes still be a living monarch in the dreamlands when his body is dead in the waking world.  Did he die while dreaming?  Is this why he can stay here?  Are the dreamlands some sort of afterlife that we come to when we die?  Or are only experienced dreamers able to come to the dreamlands after they die, their dreams tying them to the dreamlands?

I tend to cater more towards the latter, because the image of the “rose-crystal Palace of Seventy-Delights”, elicits an image of the 72 virgins from the Quran.  We as humans tend to think of the afterlife as a reward for a life well lived here on earth.  If the dreamlands are a vision of this afterlife, where you have alternative versions of heaven, hell and purgatory, then this could be an example.  Kuranes is able to actually change the landscape and create the Cornish fields of his childhood after all.  This seems as though this is his afterlife, based upon the life he lived in Cornwall as a child.  I hope to have a better sense of what the dreamlands actually are once we get a little farther into the story.

Next set of business is the clarification to the cannon of gods.  This is what I’ve been waiting for, for so long!  While Carter is speaking to Kuranes, they discuss the danger of his quest, and Kuranes tells him what little he knows, as a way of warning Carter away from the quest.  We find out that there are three different types of gods…Other Gods, Elder Ones and Great Ones.  The whole point of this quest is to find the Great Ones, to find more information about that sun kissed city, but Kuranes warns him because, he says, the Other Gods had ways of protecting the Great Ones from “impertinent curiosity”.  He made it sound as though the Other Gods would gather the Elder Ones, The truly malignant forces in the universe, to avert this curiosity.  These Elder Ones were such as Azathoth and Nyarlathotep.  We are as of yet unclear as to who the Great Ones are, and we know that the Other Gods (from both this story and the short story “The Other Gods) guard the outer Hells and barren space, “…especially where form does not exist…”.  In fact when reading the short story “The Other Gods”, when Barzai the (not so) wise climbs Hatheg-Kla to do the same thing that Carter is trying to do here, (seek out the Great Ones), the Other Gods, do something horrible and Barzai is seen no more.  The Other Gods guarded the Great Ones from “impertinent curiosity”.

The question is why is it so important for the Other Gods to protect the Great Ones, that they would pull in the malignant Elder Ones?

Hopefully we will gain an answer at the conclusion of this story!

Ok, one last little anecdotal note, which shows how pervasive Lovecraft is in our culture.  The slant-eyed merchant is known to deal with a “High-priest, not to be described, which wears a yellow silken mask over it’s face and dwells all alone in a prehistoric stone monastery.”  This seems to me to be the basis for the “King In Yellow”. which is a play in a book by Robert Chambers.  The play is said to induce madness and despair for all who read it.  Could it be that there is a correlation between worlds?  Is the Mad Arab Abdul Alhazred, connected to the slant-eyed merchant in some way?  Could that be where he got his information to write the Necronomicon?

What do you think?

One response

  1. Pingback: Blind Read Through: H.P. Lovecraft; The Colour out of Space | Sean McBride

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