This was such a spectacular escape from the classic Lovecraftian stories. This is a Science Fiction/Horror story, that deals all together with the concepts of despair, fear and claustrophobia. This is also the first story in which the narrator actually dies in the story. There is very little to connect with the cannon in the narrative, but it is totally worth it. The only possible connection would be the main residents of Venus (where the story takes place), which are reptilian creatures with tentacles. These could be a form of a descendant of one of the Elder Gods.
The story follows our narrator, Kenton Stanfield, as he is on a quest to find a crystal on the surface of Venus. He travels through a jungle and eventually gets through it, and in a big open marsh he sees a body with the crystal he is looking for. When he approaches the body he finds an invisible wall. Eventually he finds his way past the wall and gets the crystal from the body, only to find that it wasn’t a wall at all, but an invisible labyrinth.
The rest of the story is a psychological profile in fear, and a brilliant one at that. If you have no interest in Lovecraft, this is the story for you to read, and if you love Lovecraft, then you must devour it!
Quite an interesting and lore building story. From the preface to the story it seems as though Lovecraft was very proud of the language of this story, but what goes far beyond the language is the depth of character and world building.
The story follows a young man named Iranon who is looking for the city of his youth. He tells everyone he meets that he is a Prince of Aira, and he is trying to find that city once more. He travels around and sees all of the world, and even though he is young, he experiences much, that is until the twist at the end.
I would portend that Iranon is actually the narrator of most of Lovecraft’s stories. He tells of Sarnath, he tells of ancient cities in Egypt (the nameless city), and other strange locals. He strangely doesn’t remember when these visits happened or much about them, just that he has been there.
Then at the end of the story we find out that he is much, much older than we initially thought (in fact much older than he himself thinks), and that there is a certain amount of madness in his personality.
Then we couple that with the fact that we very nearly never hear a narrators name, they just tell the story. The narrators of the stories we see all are unreliable, which partners with the madness of Iranon.
The world of Lovecraft just keeps getting better and better.
Join me next Tuesday for “The Crawling Chaos” blind read through.